Multimedia-related Art and
Science in Graz, Austria
Florian Hollerweger
Institute of Electronic Music and
Acoustics
Technical University of Graz
Austria
Date: Friday, February 4,
2005
Place: Engineering Sciences Building, Room 2001
Time: 2:00 pm — 3:00 pm (Refreshments
served at 1:30 pm)
Abstract:
Having just started a research residency at UCSB's Center for Research
in Electronic Art Technology (CREATE) three weeks ago, I would like to
give a short presentation of my personal background: the city of Graz,
Austria offers various academic opportunities as well as a lively artistic
scene in multimedia-related fields. My talk will include a presentation
of the Institute of Electronic Music and Acoustics Graz (IEM), including
the IEM CUBE (a medium-sized concert hall with a 3D-audio-reproduction
system for performances of electroacoustic music), the degree in audio-engineering
which is offered at the IEM (as a cooperation between the University of
Technology and the University of Music) and current issues in artistic
and scientific research and development. There is also a strong connection
to the independent multimedia-art scene of the city, which centers around
a whole bunch of different people and institutions that I also would like
to present. PD ('Pure Data'), the multimedia-programming environment by
Miller Puckette, often seems to serve as a link between those academic
and non-academic worlds. Graz has been hosting the First International
PD~Convention in fall 2004, important extensions to this software have
been and are being developed at the IEM, and regular performances and
jam sessions are being organized by local artists. Audio examples of compositions,
installations, and performances will be given during the talk.
FLORIAN HOLLERWEGER is currently engaged in a research residency
at UCSB's Center for Research in Electronic Art Technology (CREATE). He
is a student at the Institute of Electronic Music and Acoustics (IEM) in
Graz, Austria since 1999. His studies included classes in electrical
engineering, computer science, signal processing and acoustics
(University of Technology, Graz) as well as in music theory, composition
and computer music (University of Music and Dramatic Arts, Graz) and
various musical instruments (violin, piano, pipe organ). Recent works
include compositions, installations, performances, software programming
and a paper on the use of generative grammars in music. He is also doing
recordings, live-electronics and technical assistance for composers and
ensembles of contemporary music (Alvin Lucier, Helmut Lachenmann,
Klangforum Wien, Peter Ablinger, etc.). At UCSB he will be working on
3D-audio-spatialization in virtual environments with regard to the
implementation of the CNSI HoloSphere.
Host: Stephen T. Pope, Media Arts and Technology
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